Art fundamentals : (Record no. 5885)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 06028cam a2200301 a 4500 |
| 001 - CONTROL NUMBER | |
| control field | 15411440 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20210826100237.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 080813r20091998nyua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2008036000 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780073526522 (alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0073526525 (alk. paper) |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | BUL |
| Transcribing agency | BUL |
| Modifying agency | BUL |
| Language of cataloging | eng |
| Description conventions | rda |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 701.8 |
| Edition number | 22 |
| Item number | ART |
| 245 00 - TITLE STATEMENT | |
| Title | Art fundamentals : |
| Remainder of title | theory and practice / |
| Statement of responsibility, etc. | Otto G. Ocvirk ... [et al.]. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 11th edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | New York : |
| Name of publisher, distributor, etc. | McGraw-Hill Higher Education, |
| Date of publication, distribution, etc. | c2009. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | x, 326 p. : |
| Other physical details | ill. (chiefly col.) ; |
| Dimensions | 28 cm. |
| 500 ## - GENERAL NOTE | |
| General note | Contents<br/>Chapter One<br/>Introduction<br/>The Vocabulary of Introductory Terms<br/>The Evolving Nature of Art<br/>The Three Components of Art<br/>Subject<br/>Form<br/>Content<br/>Organic Unity<br/>Abstraction<br/>Expanding Personal Awareness<br/>Developing Ideas<br/>Critical Thinking and Analysis<br/>Basic Concepts of Two-Dimensional Art<br/>Two-Dimensional Media and Techniques<br/>Basic Concepts of Three-Dimensional Art<br/>Three-Dimensional Materials and Techniques<br/>Subtraction<br/>Manipulation<br/>Addition<br/>Substitution<br/>Areas of Three-Dimensional Application<br/>Sculpture<br/>Architecture<br/>Metalwork<br/>Glass Desig<br/>Ceramics<br/>Fiberwork<br/>Product Design<br/>Combining the Ingredients: A Summary<br/><br/><br/>Chapter Two<br/>Form<br/>The Vocabulary of Form<br/>Form and Visual Ordering<br/>The Principles of Organization<br/>Harmony<br/>Repetition<br/>Rhythm<br/>Pattern<br/>Closure (Visual Grouping)<br/>Visual Linking<br/>Shared Edges<br/>Overlapping<br/>Transparency<br/>Interpenetration<br/>Linking through Extensions (Implied and Subjective Edges/Lines/Shapes)<br/>Excessive Use of Harmony<br/>Variety<br/>Contrast<br/>Elaboration<br/>The Dualism of Harmony and Variety<br/>Balance<br/>Symmetrical Balance (Formal Balance)<br/>Approximate Symmetrical Balance<br/>Radial Balance<br/>Asymmetrical Balance (Informal/Occult Balance)<br/>Proportion<br/>Dominance<br/>Movement<br/>Economy<br/>Space: Result of Elements and Principles<br/>Three-Dimensional Form and the Principles of Organization<br/>Harmony and Variety<br/>Balance<br/>Proportion<br/>Dominance<br/>Movement<br/>Economy<br/>Form Unity: A Summary<br/><br/><br/>Chapter Three<br/>Line<br/>The Vocabulary of Line<br/>Line: The Elementary Means of Communication<br/>The Physical Characteristics of Line<br/>Measure<br/>Type<br/>Direction<br/>Location<br/>Character<br/>Line and the Other Art Elements<br/>Line and Shape<br/>Line and Value<br/>Line and Texture<br/>Line and Color<br/>The Spatial Characteristics of Line<br/>Line as Representation and Expression<br/>Three-Dimensional Applications of Line<br/><br/><br/>Chapter Four<br/>Shape<br/>The Vocabulary of Shape<br/>Introduction to Shape<br/>Shape Types<br/>Shape Dimensions<br/>Shape and Composition<br/>Harmony and Variety<br/>Dominance<br/>Movement<br/>Balance<br/>Proportion and Economy<br/>Shape and Expressive Content<br/>Three-Dimensional Applications of Shape<br/><br/><br/>Chapter Five<br/>Value<br/>The Vocabulary of Value<br/>Introduction to Value Relationships<br/>Value and Art Media<br/>Plastic Value<br/>Chiaroscuro<br/>Tenebrism<br/>Decorative Value<br/>Value Pattern and Composition<br/>Three-Dimensional Applications of Value<br/><br/><br/>Chapter Six<br/>Texture<br/>The Vocabulary of Texture<br/>Introduction to Texture<br/>The Nature of Texture<br/>Types of Texture<br/>Actual Texture<br/>Simulated Texture<br/>Abstract Texture<br/>Invented Texture<br/>Texture and Pattern<br/>Texture and Composition<br/>Texture and Space<br/>Texture and Expressive Content<br/>Three-Dimensional Applications of Texture<br/><br/>Chapter Seven<br/>Color<br/>The Vocabulary of Color<br/>The Characteristics of Color<br/>Light: The Source of Color<br/>Additive Color<br/>Subtractive Color<br/>Artists' Pigments and the Triadic Color System<br/>Neutrals<br/>The Physical Properties of Color<br/>Hue<br/>Value<br/>Intensity<br/>Developing Aesthetic Color Relationships<br/>Complements and Split-Complements<br/>Triads<br/>Tetrads<br/>Analogous and Monochromatic Colors<br/>Warm and Cool Colors<br/>Plastic Colors<br/>Simultaneous Contrast<br/>Color and Emotion_<br/>Psychological Application of Color<br/>The Role of Color in Composition<br/>Color Balance<br/>Color and Harmony<br/>Color and Variety<br/>The Evolution of the Color Wheel<br/>The Origins of Color Systems<br/>The Discovery of Pigment Primaries<br/>The First Triadic Color Wheel<br/>The Discovery of Light Primaries<br/>The Ostwald Color System<br/>The Munsell Color System<br/>The Process Color System (Four-Color Printing Process)<br/>Color Photography<br/>Color Computer Printing<br/>Three-Dimensional Applications of Color<br/><br/>Chapter Eight<br/>Space<br/>The Vocabulary of Space<br/>Introduction to Space<br/>Spatial Perception<br/>Major Types of Space<br/>Decorative Space<br/>Plastic Space<br/>Shallow Space<br/>Deep and Infinite Space<br/>Spatial Indicators<br/>Sharp and Diminishing Detail<br/>Size<br/>Position<br/>Overlapping<br/>Transparency<br/>Interpenetration<br/>Fractional Representation<br/>Converging Parallels<br/>Linear Perspectives<br/>Major Types of Linear Perspective<br/>One-Point Perspective<br/>Two-Point Perspective<br/>Three-Point Perspective<br/>Perspective Concepts Applied<br/>The Disadvantages of Linear Perspective<br/>Other Projection Systems<br/>Intuitive Space<br/>The Spatial Properties of the Elements<br/>Line and Space<br/>Shape and Space<br/>Value and Space<br/>Texture and Space<br/>Color and Space<br/>Structured Ambiguity<br/>Three-Dimensional Applications of Space<br/><br/>Chapter Nine<br/>Time and Motion<br/>The Vocabulary of Time and Motion<br/>The Search for a New Spatial Dimension<br/>Pictorial Representations of Movement in Time<br/>Implied Motion through Line Direction or Shape Position<br/>Sequenced Images<br/>Multiple Viewpoints<br/>Superimposed and Blurred Images<br/>Motion Pictures: Film and Video<br/>Computers and Multimedia<br/>Three-Dimensional Applications of Time and Motion<br/>After Images: A Timeline of Artistic and Stylistic Comparisons <br/> |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art |
| General subdivision | Technique. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Ocvirk, Otto G. |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | Table of contents only |
| Uniform Resource Identifier | <a href="http://www.loc.gov/catdir/toc/ecip0825/2008036000.html">http://www.loc.gov/catdir/toc/ecip0825/2008036000.html</a> |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) | |
| a | 7 |
| b | cbc |
| c | orignew |
| d | 1 |
| e | ecip |
| f | 20 |
| g | y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Koha item type | Book Open Access |
| Edition | 11th edition |
| Classification part | 701.8 |
| Item part | 1 |
| Call number prefix | ART |
| Call number suffix | 701.8 ART |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Date acquired | Source of acquisition | Total Checkouts | Full call number | Barcode | Date last seen | Copy number | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Engineering Library | Engineering Library | 08/26/2021 | Donation | 701.8 ART 1 | 0023983 | 08/26/2021 | 1 | 08/26/2021 | Book Open Access |