MARC details
| 000 -LEADER |
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| fixed length control field |
13479nam a22002297a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20231105130131.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210322b ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781405102599 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781405102605 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
BUL |
| Language of cataloging |
Eng |
| Transcribing agency |
BUL |
| Modifying agency |
BUL |
| Description conventions |
rda |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Edition number |
23 |
| Classification number |
720.1 |
| Item number |
ARC |
| 245 ## - TITLE STATEMENT |
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| Title |
Architectural Theory: |
| Remainder of title |
Volume II - An Anthology from 1871 to 2005 / |
| Statement of responsibility, etc. |
Editors, Harry Francis Mallgrave and Christina Contandriopoulos |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Australia: |
| Name of publisher, distributor, etc. |
Blackwell publishing, |
| Date of publication, distribution, etc. |
c2008 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xxvii, 620 p. : |
| Other physical details |
ill. ; |
| Dimensions |
24cm |
| 500 ## - GENERAL NOTE |
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| General note |
<br/>TABLE OF CONTENTS<br/><br/>General Introduction.<br/><br/>PART I: EARLY MODERNISM.<br/><br/>A: THE ARTS AND CRAFTS MOVEMENT IN GREAT BRITAIN. <br/><br/>Introduction.<br/><br/>1. John Ruskin from Fors Clavigera (1871).<br/><br/>2. Christopher Dresser from Studies in Design (1874-76).<br/><br/>3. Richard Redgrave from Manual of Design (1876).<br/><br/>4. William Morris from The Prospects of Architecture in Civilization (1881).<br/><br/>5. Christopher Dresser from Japan: Its Architecture, Art, and Art Manufacturers (1882).<br/><br/>6. Oscar Wilde from Art and the Handicraftsman (1882).<br/><br/>Etc.<br/><br/>B: CONTINENTAL REFORMS. <br/><br/>Introduction.<br/><br/>13. Jakob Falke from Art in the House (1871).<br/><br/>14. George Hirth from The German Renaissance Room (1880).<br/><br/>15. Robert Dohme from The English House (1888).<br/><br/>16. Cornelius Gurlitt from Inside the Middle-Class House (1888).<br/><br/>17. Louis-Charles Boileau from Shops of the Bon Marché in Paris—Grand Staircase (1876).<br/><br/>Etc.<br/><br/>C: REFORMS IN THE UNITED STATES. <br/><br/>Introduction.<br/><br/>26. Henry Hudson Holly from Modern Dwellings: Their Construction, Decoration, and Furniture (1876).<br/><br/>27. Robert Swain Peabody from Georgian Homes of New England (1877).<br/><br/>28. Clarence Cook from House Beautiful (1877).<br/><br/>29. Leopold Eidlitz from The Nature and Function of Art: More Especially of Architecture (1881).<br/><br/>30. Louis Sullivan from Characteristic and Tendencies of American Architecture (1885).<br/><br/>31. George William Sheldon from Artistic Country-Seats (1886).<br/><br/>Etc.<br/><br/>D: CONCEPTUAL UNDERPINNINGS 0F GERMAN MODERNISM: SPACE, FORM, AND REALISM. <br/><br/>Introduction.<br/><br/>38. Richard Lucae from On the Aesthetic Development of Iron Construction, especially its Use in Spaces of a Significant Span (1870).<br/><br/>39. Friedrich Nietzsche from The Use and Abuse of History (1872).<br/><br/>40. Robert Vischer from On the Optical Sense of Form (1872).<br/><br/>41. Constantine Lipsius from On the Aesthetic Treatment of Iron in Tall Building (1878).<br/><br/>42. Conrad Fiedler from Observations on the Nature and History of Architecture (1878).<br/><br/>43. Hans Auer from The Development of Space in Architecture (1883).<br/><br/>44. Josef Bayer from Style Crisis of our Time (1886).<br/><br/>Etc..<br/><br/>PART II: THE FORMATION OF THE MODERN MOVEMENT 1894-1914. <br/><br/>A: THE WAGNER SCHOOL AND THE GERMAN WERKBUD. <br/><br/>Introduction.<br/><br/>51. Otto Wagner from Inaugural Address to the Academy of Fine Arts (1894).<br/><br/>52. Max Fabiani from Out of the Wagner School (1895).<br/><br/>53. Julius Lessing from New Paths (1895).<br/><br/>54. Richard Streiter from Out of Munich (1896).<br/><br/>55. Otto Wagner from Modern Architecture (1896).<br/><br/>56. Richard Streiter from Contemporary Architectural Questions (1898).<br/><br/>Etc.<br/><br/>B: EUROPEAN MODERNISM ELSEWHERE. <br/><br/>Introduction.<br/><br/>67. Camillo Boito from On the Future Style of Italian Architecture (1880).<br/><br/>68. Hendrik P. Berlage from Architecture and Impressionism (1894).<br/><br/>69. Ebenezer Howard from To-morrow: A Peaceful Path to Real Reform (1898).<br/><br/>70. Henry van de Velde from The New Ornament (1901).<br/><br/>71. Henry van de Velde from Clarification of Principles (1902).<br/><br/>Etc.<br/><br/>C: THE CHICAGO SCHOOL. <br/><br/>Introduction.<br/><br/>77. Louis Sullivan from The Tall Office Building Artistically Considered (1896).<br/><br/>78. Denkmar Adler from Function and Environment (1896).<br/><br/>79. Oscar Lovell Triggs from Chapters in the History of the Arts and Crafts Movement (1901).<br/><br/>80. Gustav Stickley from The Craftsman (1901).<br/><br/>81. Frank Lloyd Wright from The Art and Craft of the Machine (1901).<br/><br/>Etc.<br/><br/>PART III: THE 1920s.<br/><br/>A: AMERICAN MODERNISM. <br/><br/>Introduction.<br/><br/>88. Frederick Winslow Taylor from The Principles of Scientific Management (1911).<br/><br/>89. Claude Bragdon from Architecture and Democracy (1918).<br/><br/>90. Irving K. Pond from Zoning and the Architecture of High Buildings (1921).<br/><br/>91. Hugh Ferris from The New Architecture (1922).<br/><br/>92. Chicago Tribune Announcement of an Architectural Competition (1922).<br/><br/>Etc.<br/><br/>B: SOVIET CONSTRUCTIVISM. <br/><br/>Introduction.<br/><br/>101. V. I. Lenin from The State and Revolution (1917).<br/><br/>102. Vladimir Tatlin et al The Work Ahead of Us (1920).<br/><br/>103. Alexander Rodchenko from Slogans (1921).<br/><br/>104. Aleksei Gan from Constructivism (1922).<br/><br/>105. Moisei Ginzburg from Style and Epoch (1924).<br/><br/>Etc.<br/><br/>C: DE STIJL AND PURISM.<br/><br/>Introduction.<br/><br/>108. Theo van Doesburg et al from Manifesto 1 (1918).<br/><br/>109. Amédée Ozenfant and Charles-Edouard Jeanneret (Le Corbusier) from Preface to L'Esprit Nouveau (1920).<br/><br/>110. Amédée Ozenfant and Charles-Edouard Jeanneret (Le Corbusier) from Purism (1920).<br/><br/>111. J. J. P. Oud from On the Future Architecture and its Architectural Possibilities (1921).<br/><br/>112. Le Corbusier from Toward an Architecture (1923).<br/><br/>Etc.<br/><br/>D: EXPRESSIONISM AND THE BAUHAUS. <br/><br/>Introduction.<br/><br/>117. Oswald Spengler from The Decline of the West (1918).<br/><br/>118. Hans Poelzig from Address to the Werkbund (1919).<br/><br/>119. Manifesto Work Council for Art (1919).<br/><br/>120. Walter Gropius from Program of the Staatliche Bauhaus in Weimar (1919).<br/><br/>121. Bruno Taut from The Crystal Chain Letters (1919).<br/><br/>Etc.<br/><br/>E: EUROPEAN MODERNIS 1925-1932.<br/><br/>Introduction.<br/><br/>127. Hugo Häring from Paths to Form (1925).<br/><br/>128. Adolf Behne from The Modern Functional Building (1926).<br/><br/>129. Giuseppe Terragni et al The Group 7 (1926).<br/><br/>130. Walter Curt Behrendt from The Victory of the New Style (1927).<br/><br/>131. Ludwig Hilberseimer from International New Architecture (1927).<br/><br/>Etc.<br/><br/>PARTIV: THE POLITICS OF MODERNISM: 1930-1945.<br/><br/>A: TOTALITARIANISM IN EUROPE. <br/><br/>Introduction.<br/><br/>141. German Bestelmeyer et al Manifesto of Der Block (1928).<br/><br/>142. Hannes Meyer from An Open Letter to Lord Mayor Hesse of Dessau (1930).<br/><br/>143. Mies van der Rohe from Announcement to the Students of the Dissolution of the Bauhaus (1933).<br/><br/>144. Albert Speer from Inside the Third Reich (1969).<br/><br/>145. Marcel Breuer from Where Do We Stand? (1935).<br/><br/>Etc.<br/><br/>B: AMERICAN ACADEMIC AND ARCHITECTURAL REFORMS. <br/><br/>Introduction.<br/><br/>152. Joseph Hudnut from The Education of an Architect (1931).<br/><br/>153. Frank Lloyd Wright from The Disappearing City (1932).<br/><br/>154. Lewis Mumford from Technics and Civilization (1934).<br/><br/>155. Catherine Bauer from Modern Housing (1934).<br/><br/>156. Frank Lloyd Wright from The Jacobs House (1938).<br/><br/>Etc.<br/><br/>A: POSTWAR THEORY IN THE UNITED STATES. <br/><br/>Introduction.<br/><br/>163. Philip Johnson from Mies van der Rohe (1947).<br/><br/>164. T. H. Robsjohn-Gibbings from Mona Lisa's Mustache (1947).<br/><br/>165. Lewis Mumford from Status Quo (1947).<br/><br/>166. Alfred Barr, Jr. from What is Happening to Modern Architecture (1948).<br/><br/>167. Philip Johnson from The Glass House (1950).<br/><br/>Etc.<br/><br/>B: POSTWAR THEORY IN EUROPE. <br/><br/>Introduction.<br/><br/>173. Bruno Zevi from Towards an Organic Architecture (1945).<br/><br/>174. J. M. Richards from New Empiricism (1947).<br/><br/>175. Colin Rowe from The Mathematics of the Ideal Villa (1947).<br/><br/>176. Bruno Zevi from Architecture as Space (1948).<br/><br/>177. Rudolf Wittkower from Architectural Principles in the Age of Humanism (1949).<br/><br/>C: THE RISE AND FALL OF CIAM.<br/><br/>Introduction.<br/><br/>185. J. H. Forshaw & Patrick Abercrombie from County of London Plan (1944).<br/><br/>186. Sigfried Giedion from Reaffirmation of the Aims of CIAM: Bridgewater 1947.<br/><br/>187. J. M. Richards from Contemporary Architecture and the Common Man (1947).<br/><br/>188. Bruno Zevi from A Message to the International Congress of Modern Architecture (1949).<br/><br/>189. Alison and Peter Smithson, Gillian and William Howell, John Voelcker from 'Urban Reidentification' Grid, CIAM, Aix-en-Provence (1953).<br/><br/>Etc.<br/><br/>PARTVI: CRITIQUES OF MODERNISM: 1958-1969.<br/><br/>A: DEATH OF THE AMERICAN CITY. <br/><br/>Introduction.<br/><br/>195. Lewis Mumford from Prefabricated Blight (1948.<br/><br/>196. Kevin Lynch from The Image of the City (1960).<br/><br/>197. Jane Jacobs from The Life and Death of the American City (1961).<br/><br/>198. Lewis Mumford from Mother Jacobs' Home Remedies (1962).<br/><br/>199. Herbert J. Gans from The Urban Villagers (1962).<br/><br/>Etc.<br/><br/>B: RETREATS AND UTOPIANISM. <br/><br/>Introduction.<br/><br/>204. Yona Friedman from Mobile Architecture (1959).<br/><br/>205. Kiyonori Kikutake et al from Metabolism: The Proposals for New urbanism (1960).<br/><br/>206. Reyner Banham from Theory and Design in the First Machine Age (1960).<br/><br/>207. Archigram Manifesto (1961).<br/><br/>208. Rachel Carson from Silent Spring (1962).<br/><br/>209. Constantinos Doxiadis et al The Declaration of Delos (1963).<br/><br/>Etc.<br/><br/>C: CRITIQUES OF MODERNISM. <br/><br/>215. Reyner Banham from The Italian Retreat from Modern Architecture (1959).<br/><br/>216. Ernesto Nathan Rogers from The Evolution of Architecture: An Answer to the Caretaker of Frigidaires (1959).<br/><br/>217. Aldo van Eyck from Is Architecture Going to Reconcile Basic Values? (1959).<br/><br/>218. Joseph Rykwert from Meaning and Building (1960).<br/><br/>219. Tomás Maldonado from Notes on Communication (1962).<br/><br/>Etc.<br/><br/>PARTVII: THE PROSPECT OF A POSTMODERN THEORY:1969-1979.<br/><br/>A: NEORATIONALISM ANDTHE IAUS.<br/><br/>Introduction.<br/><br/>228. Manfredo Tafuri from Toward a Theory of Critical Ideology (1969).<br/><br/>229. Peter Eisenman from Notes on Conceptual Architecture: Toward a Definition (1970).<br/><br/>230. Colin Rowe from Introduction to Five Architects (1972).<br/><br/>231. Robert A. M. Stern and Jaquelin Robertson from Five on Five (1973).<br/><br/>232. Peter Eisenman, Kenneth Frampton, Mario Gandelsonas Editorial Statement of Oppositions 1 (1973).<br/><br/>Etc.<br/><br/>B: SEMIOTICS AND PHNOMENOLOGY. <br/><br/>Introduction.<br/><br/>240. Charles Jencks from Semiology and Architecture (1969).<br/><br/>241. George Baird from La 'Dimension Amoureuse' in Architecture (1969).<br/><br/>242. Christian Norberg-Schulz from Existence, Space & Architecture (1971).<br/><br/>243. Alan Colquhoun Historicism and the Limits of Semiology (1972).<br/><br/>244. Kenneth Frampton from On Reading Heidegger (1974).<br/><br/>Etc.<br/><br/>C: ALTERNATIVE STRATEGIES AND DEBATES. <br/><br/>Introduction.<br/><br/>247. Denise Scott Brown from Learning from Pop (1971).<br/><br/>248. Kenneth Frampton from America 1960-1970: Notes on Urban Images and Theory (1971).<br/><br/>249. Herman Hertzberger from Homework for more Hospitable Form (1973).<br/><br/>250. Hassan Fathy from Architecture for the Poor (1973).<br/><br/>251. Colin Rowe and Fred Koetter from Collage City (1975).<br/><br/>Etc.<br/><br/>PART VIII: THE 1980s.<br/><br/>A: POSTSTRUCTURALISM AND DECONSTRUCTION. <br/><br/>257. Jean-François Lyotard from The Postmodern Condition: A Report on Knowledge (1979).<br/><br/>258. Coop Himmelblau Architecture Must Blaze (1980).<br/><br/>259. Bernard Tschumi from The Manhattan Transcripts (1981).<br/><br/>260. Daniel Libeskind from Symbol and Interpretation (1981).<br/><br/>261. Jürgen Habermas from Modern and Postmodern Architecture (1981).<br/><br/>Etc.<br/><br/>B: POSTMODERN HISTORICISM. <br/><br/>Introduction.<br/><br/>269. Harvard Architectural Review from the inaugural editorial Beyond the Modern Movement (Spring 1980).<br/><br/>270. Robert A. M. Stern from The Doubles of Post-Modern (1980).<br/><br/>271. Maurice Culot Nostalgia, Soul of the Revolution (1980).<br/><br/>272. Aldo van Eyck from Rats, Posts and Pests (1981).<br/><br/>273. Geoffrey Broadbent from The Pests Strike Back! (1981).<br/><br/>Etc.<br/><br/>C: REGIONALISM AND TRADITIONALISM. <br/><br/>Introduction.<br/><br/>280. Bruno Reichlin from Reflections–Interpretations between Concept, Representation and Built Architecture (1981).<br/><br/>281. Alexander Tzonis & Liane Lefaivre from The Grid and the Pathway (1981).<br/><br/>282. Demetri Porphyrios from Classicism is not a Style (1982).<br/><br/>283. Vittorio Gregotti The Obsession with History (1982).<br/><br/>284. Alberto Pérez-Gómez Architecture and the Crisis of Modern Science (1983).<br/><br/>Etc.<br/><br/>PART IX: MILLENNIAL TENSIONS.<br/><br/>A: TECTONICS AND GEOMETRY. <br/><br/>Introduction.<br/><br/>291. Kenneth Frampton from Rappel a l'ordre: The Case for the Tectonic (1990).<br/><br/>292. Toyo Ito from Vortex and Current: On Architecture as Phenomenalism (1992).<br/><br/>293. Moshen Mostarfavi and David Leatherbarrow from On Weathering (1993).<br/><br/>294. Gilles Deleuze from The Fold: Leibniz and the Baroque (1993).<br/><br/>295. Greg Lynn from Architectural Curvilinearity: The Folded, the Pliant and the Supple (1993).<br/><br/>Etc.<br/><br/>B: THE END OF THEORY. <br/><br/>305. Sylvia Lavin from Essay: The Uses and Abuses of Theory (1990).<br/><br/>306. Jeffrey Kipnis from Rebuttal: Theory Used and Abused (1990).<br/><br/>307. OMA, Rem Koolhaas, & Bruce Mau from Bigness (1994).<br/><br/>308. Winy Maas from Datascape (1994).<br/><br/>309. Juhani Pallasmaa from An Architecture of the Seven Senses (1994).<br/><br/>Etc.<br/><br/>C: BEYOND THE NEW MELLENNIUM. <br/><br/>317. James Wines from Green Dreams (1991).<br/><br/>318. William McDonough Hannover Principles (1992).<br/><br/>319. Bernard Cache from Earth Moves (1995).<br/><br/>320. Ken Yeang from Designing with Nature (1995).<br/><br/>321. Vicotr Papanek from The Green Imperative (1995).<br/><br/>322. James Corner from Eidetic Operations and New Landscape (1999).<br/><br/>Etc.<br/><br/><br/><br/><br/> |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Architecture |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Mallgrave, Harry Francis. |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Contandriopoulos, Christina |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book Open Access |
| Classification part |
720.1 |
| Item part |
1 |
| Call number prefix |
ARC |
| Call number suffix |
720.1 ARC |
